𓈒 ˙ 🧼 ּ 🍞⠀ . ࣪𓇻 ݁
Art by Lily景怡
rei hino
Usagi and Luna, Minako, Rei, and Ami, by Roeve.
(Source: instagram.com, via lowcountry-gothic)
The last part of my Deaged!Shouto comic! I hope you’ll enjoy it!
Please do not repost my work on TIK TOK, Instagram or facebook (well just do not repost my work anywhere period. If you see my comic on those media, please report it, I did not allow it)
I want to thanks my partner who did an incredible job with the text, my friend, Tamara, who helped me with my storyboard, BNHA creative corner discord who helped a lot during the writing process and my patrons who were very supportive and so reactive with every update!!
It was a lot of fun to work on it and I am so glad so many of you enjoyed it!!!
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8
@animangacreators Challenge #16: Hanami
Cherry Blossom: “Transience of life”: make an edit about a character you think has incomparable beauty.
So while I’ve seen a thousand jokes about this scene and Noé slapping a snapchat filter over the rat bastard in his memories, I do think it’s worth analyzing what goes on here, because it’s just a really well-executed example of how memories change with time and fondness.
Most of the posts I’ve seen have contrasted this shot of Vanitas to this one from chapter 1:
and that makes sense! They’re both similar shots of him standing at the top of the steps in front of the windows, and they’re also the faces that make for the biggest contrast between the two versions of the scene.
However! If you look at the actual dialogue, this super-romanticized shot of Vani isn’t entirely from Noé’s memory of Vanitas’s speech on the podium. It’s more complicated than that. Just like what often happens with real memories, when Noé recollects Vanitas’s request to use his strength, he blends it with other memories of the same scene.